#Hyper light drifter controller full
You can find the full conversation down below. This was a fantastic experience to be able to talk to Preston about Solar Ash, a little bit about his past work on Hyper Light Drifter, and all of the hard work that has gone into the new game. And we would like to thank him for taking the time to sit down with us even as the game is on the home stretch to its approaching launch date. Solar Ash is nearly here, but it has been a long five-year road for the Preston on the team at Heart Machine. Down below we cover several topics ranging from speedrunning to accessibility settings and Kickstarter to partnering with Sony and Epic. In this interview, I got to sit down with the lead developer and founder of the studio, Alx Preston. Buy this one now and thank me later.Solar Ash is the next title from indie developer Heart Machine (Hyper Light Drifter). It’s got a surprisingly vast world to explore, a tight combat system and it’s all wrapped up within one of the most visually and aurally captivating packages that I’ve seen in a long time. As I slashed and shot my way through hostile bird creatures and exploding plant parasites, I found myself thinking about “The Legend of Zelda,” “Metroid,” and even the more contemporary “Transistor.” Regardless of its influences, “Hyper Light Drifter” is something very special in its own right. “Hyper Light Drifter” can be easily compared to some of gaming’s most venerated titles.
It’s best suited for playing with a controller, but it’s not too shabby with a mouse and keyboard either. Fighting in “Hyper Light Drifter” is extremely satisfying, and it’s fun to switch between ranged and close combat on the fly. The Drifter has a good mix of ranged and melee attacks, and the dash mechanic allows for well-timed parries and dodges. Not only did he score the retro classic “FEZ,” but he’s responsible for scoring the fantastically creepy horror film “It Follows.” The music complements the game perfectly, and further solidifies my love for Disasterpeace’s musical abilities.ĭespite the fact that “Hyper Light Drifter” loves to throw frustrating enemy encounters and traps in your path, combat is actually quite balanced-no matter how many freakish creatures surround you, there’s always a fighting chance. I freaked out a little bit when I discovered that the game’s soundtrack was composed by Richard Vreeland, aka Disasterpeace. “Hyper Light Drifter” is one of the few games that made me stop and take note of the music. In addition to the game’s visual brilliance, I couldn’t help but notice the hauntingly ambient soundtrack. It also gives the player a good excuse to just take in every gorgeously rendered setting without any context-the world unfolds like a living work of art. It encourages exploration, and rewards venturing off of the predictable path to find hidden areas. Creating a story with no dialogue, subtitles or written language of any type is a risky move, but it pays off here. Occasionally, the Drifter hacks up globs of blood, symptoms of an illness that may or may not be tied to the aforementioned cataclysm. The protagonist is known as the Drifter, and it’s our job to venture forth into ruined temples to gather bits and pieces of ancient technology. The game’s compelling beauty and weirdness is attributed to a story that is revealed via vague, wordless still-screens that depict an epic cataclysm that has destroyed a once powerful civilization. It captures the controller-chucking frustration that defined my NES collection, but it’s so beautiful and weird that it compelled me to keep on trucking no matter how many times I had to watch my character die.
“Hyper Light Drifter” is one of these rare titles-something that was crafted by artists that possesses the right balance of nostalgic influences and aesthetic innovation. Retro, pixelated games have been trendy for some time now, but it’s rare that one strikes the proper resonant frequency to become a classic. Hyper Light Drifter – Heart Machine - PC/Mac – 03.31.16 - $19.99
0 kommentar(er)
